Historical Instrument Section
of the International Tuba and Euphonium Association Journal

Since 1992, members and friends of Berlioz Historical Brass have coordinated the Historical Instrument Section of the ITEA Journal. These past columns are reprinted with permission by the Journal. We wish to thank Jason Smith, editor of the ITEA Journal, for his support of the Historical Instrument Section.

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Spring 2007: The Original Intent of the Serpent by Craig Kridel [34:3, 74-77]

Winter 2007: America's First Serpents by Craig Kridel [34:2, 84-86]

Winter 2006: Museums--What is it Worth? by Arnold Myers [33:2, 86]

Fall 2005: Serpent of Wood and Metal by Sabine Klaus [33:1, 82, 84]

Summer 2005: As Time Goes By by Clifford Bevan [32:4, 74-75]

Spring 2005: Serpent Exaltations: Pedagogical advice from past and present edited by Craig Kridel and Dick Fuller [32:3, 85-87]

Spring 2004: Who Does Our Heritage Belong To? by Arnold Myers [31:3, 84-85]

Winter 2004: The Biennial Dispatches: Serpent Events and Occurrences by Craig Kridel [31:2, 79-81]

Summer 2003: Questions and Answers: Bass Horns and Russian Bassoons by Craig Kridel [30:4, 73-75]

Spring 2003: The Mystery of the Missing Tuba by Arnold Myers [30:3, 67-68]

Winter 2003: Wooden S Meets Wooden O by Clifford Bevan [30:2, 77]

Summer 2002: Serpent and Contrabassoon Acoustics by D. M. Campbell [29:4, 54-55]

Winter 2002: Streams of Recent Serpent Occurrences by Craig Kridel [29:2, 83-85]

Summer 2001: Think Me Up a Tuba by Clifford Bevan [28:4, 58-59]

Winter 2001: Not Quite the Serpent's Swan-Song by Clifford Bevan [28:2, 64]

Summer 2000: The One That Got Away by Clifford Bevan [27:4, 41-42]

Spring 2000: The Living Role of Historical Instruments by Arnold Myers [27:3, 60-61]

Winter 1999: What do you play in A Midsummer Night's Dream Overture? by Clifford Bevan [27:2, 61-62]

Fall 1999: Twenty-One Years of The Tuba Family by Ronald Davis [27:1, 59-61]

Summer 1999: Ophicleide: “Helicon^Word with ... er ... only meaning only” by Anthony George and “Welcome to the Millennicleide” by Clifford Bevan [26:4, 38,40]

Spring 1999: Museums by Arnold Myers [26:3, 54-55]

Winter 1999: Serpent: “Serpent” by Craig Kridel and “Lost and Found” by Clifford Bevan [26:2, 67-69]

Summer 1998: Ophicleide: “Stephen Wick and the Informed Approach” by Clifford Bevan, “Le Man's Le Mans for a' that” by Clifford Bevan, and “The Ophicleide: (A) Historical Exchange” by Anthony George [25:4, 34-37]

Spring 1998: Historical Instrument Section: “Museums” by Arnold Myers and “Book Review: John Fletcher: Tuba Extraordinary” by Clifford Bevan [25:3, 32-33]

Winter 1998: Historical Instrument Section: “Serpent” by Craig Kridel and “Case of the Missing B” by Clifford Bevan [25:2, 28-30]

Fall 1997: A Historian's Perspective by Ronald Davis [25:1, 32-34]

Summer 1997: Historical Instrument Section: “Ophicleide” by Anthony George and “Year of the Operacleide?” by Clifford Bevan [24:4, 36-38]

Spring 1997: Museums by Arnold Myers [24:3, 30-31]

Winter 1997: Historical Instrument Section: “Serpent” by Craig Kridel and “Long Live the Serpent! (Oh, sorry. It already has)” by Clifford Bevan [24:2, 38-40]

Summer 1996: Ophicleide: “The Ophicleide or 'Chromatic Bullocks and how to milk them'” by Anthony George and “Oliphant qui mal y pense” by Clifford Bevan [23:4, 28-30]

Spring 1996: Museums and Collections by Arnold Myers [23:3, 32-33]

Winter 1996: Historical Instrument Section: “Serpent” by Craig Kridel and “Pride and Prejudice” by Clifford Bevan [23:2, 40-42]

Fall 1995: Historical Instrument Section: “Serpent” by Craig Kridel and “. . . a long silver row” by Clifford Bevan [23:1, 38-39]

Spring 1995: Historical Instrument Section: “Serpent“ by Craig Kridel and “O Wild West Wind“ by Clifford Bevan [22:3, 52-54]

Fall 1994: Historical Instrument Section: “Serpent” by Craig Kridel and “Alone in Catalonia” by Clifford Bevan [22:1, 40-42]

Spring 1994: “. . . and everything in its place” by Clifford Bevan [21:3, 32-33]

Fall 1993: Historical Instrument Section: “Serpent” by Craig Kridel and “Serpent Secrets and the Hall of Fame” by Clifford Bevan [21:1, 24-26]

Winter 1992: Historical Instrument Section: “Serpent” by Craig Kridel and “Christopher Monk: 1921-1991 The Purest Serpentist” by Clifford Bevan [20:2, 30-32]

 

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© 2007 International Tuba Euphonium Association. All Rights Reserved.

exploring the role of early 19th century brass

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