Upcoming & Past Activities and Performances
Berlioz Historical Brass consists of a “collective” of musicians who are actively exploring and furthering the understanding of early 19th century orchestral brass instruments. For this reason, the ensemble does not adopt a conventional brass quintet mentality of searching for venues nor does Berlioz Historical Brass define itself by the number of staged performances. Our activities take many forms—performances, lectures, publications, commissions, endorsements—and typically occur individually or in conjunction with others.
With the premieres of Berlioz Historical Brass's two commissioned works, Les Mots de Berlioz and Mendelssohn’s Seasons, the ensemble is no longer actively staging concerts. Individual members continue to perform with various ensembles; however, the group has turned its efforts towards research and the advocacy of historical brass.
Past Performances and Events
July 19, 2009
Mendelssohn's Seasons for choir and historical brass by Clifford Bevan
and the world premiere of De bronze et de lumière for serpent & piano by Thérèse Brenet,
November 22 & 23, 2008
January 25 & 27, 2008
September 3, 2007: Ophicleide Summit, Berlin, Germany
Arising from initial BHB email correspondence pertaining to the sponsorship of Nick Byrne's ophicleide recording, Back from Oblivion, Byrne coordinated a visit to Berlin to coincide with a meeting Douglas Yeo (while on tour with the Boston Symphony Orchestra) had arranged with Erhard Schwartz. The trio recorded an informal reading of “Das treue deutsche Herz,” accessible on Youtube.
August 25 2007: The release of Back from Oblivion
We are pleased to announce the release of Back from Oblivion, the solo ophicledie recording by Nick Byrne and David Miller, piano, produced by Melba Recordings of Australia. This recording was supported by Berlioz Historical Brass with liner notes written by BHB colleague and composer, Clifford Bevan.
August 21, 2007: New York Historical Society recording session
Ralph Dudgeon, keyed bugle and natural trumpet, and Douglas Yeo, serpent, participated in a recording session for the soundtrack for the exhibition, “French Founding Father: Lafayette's Return to Washington's America.” For more information, visit the New York Historical Society website.
Feb 8, 9, 10, 12, 2007: Performance of La Damnation de Faust
Douglas Yeo, ophicleidist, serpentist, and bass trombonist for the Boston Symphony Orchestra participated in performances of La Damnation de Faust by Hector Berlioz with the BSO, James Levine, conducting; Symphony Hall, Boston.
Photo © 2007 Boston Symphony Orchestra; courtesy Michael Lutch.
January 5, 6, 7, 14, 2007: Performance of Renaissance repertoire on serpent
Craig Kridel performing serpent on Canzona Terza by Giralamo Frescobaldi (1583-1643) and Magnificat by Pietro Pace (1559-1622) with Early Interval, Ron Cook, director, at the annual 12 th Night Concert, Columbus, Ohio.
December 12, 2006: Serpent Performance-Presentation at Yale University
Douglas Yeo gave a lecture-demonstration at the Yale Center for British Art as part of the Art and Music in Britain: Four Encounters, 1730 – 1900 lecture/concert series.
“The exhibition . . . featured four rooms of artwork that explored the relationship between art and music in Britain and included display of paintings, engravings, music and musical instruments. The entryway to the exhibition featured Yale's four key military serpent by D'Almaine & Co. (20 Soho Square, London, c. 1812). In fact, the serpent came to symbolize the entire exhibition, as buttons promoting the exhibition showed an image of the serpent. The first room of the exhibition focused on Handel's London: Vauxhall Gardens. In addition to the serpent, an early edition of the music for Handel's Music for the Royal Fireworks (I . Walsh, c. 1749-59) was on display. The room also had a listening station with five musical excerpts including Douglas Yeo and Craig Kridel performing the London Serpent Trio's arrangement of Handel's March from Scipio (from the CD Le Monde du Serpent) and Boston Baroque's performance of the Overture to Handel's Music for the Royal Fireworks [Telarc], on which I play serpent).
The large audience that filled the gallery heard me discuss the history of the serpent, the differences between French church and English military serpents, and I performed several etudes and some chant taken from methods of Metoyen and Schiltz. A question and answer session followed. The Anglo-centric audience also had some requests, and I obliged by playing Rule Britannia, Jerusalem and God Save The Queen.” Douglas Yeo
November 22, 2006: Performance of Sinfonie Fantastique with theHandel & Haydn Society
Jay Krush, ophicleide, and Douglas Yeo, serpent and ophicleide, performed with Boston's Handel & Haydn Society, conducted by Jeffrey Rink, for the first period instrument performance in North America of the finale (fifth movement) of Berlioz's Sinfonie Fantastique.
Sunday, November 12, 2006:Fanfare Française
University of South Carolina's Fanfare Française, South Carolina State Museum, with the premiere performances of Berlioz Historical Brass-sponsored Sarastro Music editions of marches and dances by Carl Andreas Goepfert (1768-1818) and the Grand Military Piece by John Lewis Hoberecht (1760-1819) edited by Ness Glenn.
May 21, 2006: Performance of neo-Gallican, 19th century chant
March 18, 2006: explorations with the “early” cimbasso and serpent a pavillon.
Craig Kridel played the cimbasso in a performance of the Paganini Second Violin Concerto with a central Ohio orchestra and the serpent a pavillon in a recently discovered harmoniemusik configuration of Mozart's Mozart “Janissary March.”
December 27, 28, 29, 2005: PDQ Bach and O Serpent
Photo © 2006 Richard Termine.
BHB members Steven Silverstein, Douglas Yeo, and Craig Kridel performed “O Serpent,” a work composed by P.D.Q. Bach (1807-1742?), for Peter Schickele's 40th anniversary concerts in New York City, “P.D.Q. Bach: A 40-year Retrogressive, An Overview of Classical Music's Underbelly,” staged at Symphony Space. Forming the American Serpent Players, the trio was asked by Schickele to conclude each evening's performance with an encore, for which they performed Matyas Seiber's “Foxtrot” (also recorded on Douglas Yeo's CD, Le Monde du Serpent). The above photograph appeared in the December 29, 2005 edition of The New York Times.
February 25, 26, 2005: Performance of Berlioz's Romeo et Juliette with Boston 's Chorus Pro Musica
Berlioz Historical Brass members Lowell Greer and Douglas Yeo participate in a performance of Berlioz's Romeo et Juliette with Boston's Chorus Pro Musica (Jeffrey Rink, conductor).
May 19, 2004: Serpent Performance-Presentation at the Metropolitan Museum of Art
November 18 & 22, 2003: Performance of the Proctor Concerto for Keyed Bugle
October 25, 2003: Performance of the Proctor Concert for Serpent
October 19, 2003: Performance of “Berlioz, Then & Beyond”
May 3, 2003: Recording session of Clifford Bevan's Les Mots de Berlioz for Douglas Yeo's Le Monde du Serpent CD recording.
the recording of Les Mots de Berlioz, May 2003
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